Everyone interested in Arabic and Persian literature, in Islam and in comparative religion, regrets the death of Arthur J. Arberry, Sir Thomas Adams's Professor of Arabic in the University of Cambridge. Arberry combined rare human qualities and exceptional professional attainment, and this enabled him to make a unique contribution both to learning and to mutual understanding between East and West. He had a deep sense of vocation, which he brought to his unremitting labours as a skilled editor of texts, especially (...) in the field of Islamic mysticism, and as an imaginative translator of these texts of the Koran and of Arabic and Persian poetry, and as a sympathetic interpreter of Sūfism. (shrink)

Jacques Maritain's An Introduction to Philosophy was first published in 1931. Since then, this book has stood the test of time as a clear guide to what philosophy is and how to philosophize. Inspired by the Thomistic Revival called for by Leo XIII, Maritain relies heavily on Aristotle and St. Thomas Aquinas to shape a philosophy that, far from sectarian theology in disguise, is driven by reason and engages the modern world. Re-released as part of the Sheed & Ward Classic (...) series, An Introduction to Philosophy is sure to enliven the minds of students and general readers for years to come. From the new introduction by Ralph McInerny: You are about to read a magnificent introduction not only to a kind of philosophy but to philosophizing itself. Jacques Maritain was a relatively young man when he wrote this book, but his effort is one that attracts any philosopher more and more as he grows older. However odd and unusual what he says becomes, the philosopher yearns to show how even the most abstruse claims can be put into relation with what the reader already knows. That, in its essence, is what teaching is. In this book, the reader will find a wise and certain guide into philosophizing as such. And, in the end, he will find that what he reads is really only a refinement and development of what he and everybody else already knew. (shrink)

This is a new release of the original 1932 edition.

Introduction Anandabodha is a great name in the history of Advaita Vedanta. This is evident from Dr. Das Gupta's reference to him as "the only author of ...

Ėstetika antichnosti -- Ėstetika srednikh vekov -- Ėstetika vozrozhdenii︠a︡ -- Ėstetika frant︠s︡uzskogo prosveshchenii︠a︡ -- Ėstetika nemet︠s︡kogo prosveshchenii︠a︡ -- Ėstetika angliĭskogo prosveshchenii︠a︡ -- Ėstetika "Buri i natiska" -- Nemet︠s︡kai︠a︡ klassicheskai︠a︡ ėstetika.

В книгу вошли высказывания об искусстве и воображении философов, эстетиков, психологов, искусствоведов и мастеров искусства.

В сборнике рассматриваются важные проблемы социального и духовного развития России. Для специалистов.

Издание содержит: хрестоматия; философы; психологи; литературоведы, искусствоведы; мастер изобразительного искусства и др.

Вниманию читателя предлагаются статьи, посвященные мало исследованным проблемам логики (и психологии) художественного творчества, в частности в работах М. Бахтина. Книга содержит также хрестоматию "Искусство и логика" и предметный указатель.

The prospects for realistic interpretation of the nature of initial mathematical truths and objects are considered in the article. The arguments of realism, reasons impeding its recognition among philosophers of mathematics as well as the ways to eliminate these reasons are discussed. It is proven that the absence of acceptable ontological interpretation of mathematical realism is the main obstacle to its recognition. This paper explicates the introductory positions of this interpretation and presents a realistic interpretation of the arithmetical component of (...) mathematics. In summary, we should like to note that such constructions, as it is shown to us, ought to bring the direct use not only for the philosophical foundation of mathematics but for mathematics itself. In the justification of the author’s conclusions based on the works of famous mathematicians of the twentieth century, interpreting their findings in a broad historical and philosophical context. To illustrate his point, the author gives examples of arithmetic and geometry - both Euclidean and non-Euclidean. (shrink)

Scale invariance is considered in the context of gravitational theories where the action, in the first order formalism, is of the form S=∫ L 1 Φ d 4 x+∫ L 2 $\sqrt{-g}$ d 4 x where the volume element Φ d 4 x is independent of the metric. For global scale invariance, a “dilaton” φ has to be introduced, with non-trivial potentials V(φ)=f 1 eαφ in L 1 and U(φ)=f 2 e 2αφ in L 2 . This leads to non-trivial (...) mass generation and a potential for φ which is interesting for inflation. Interpolating models for natural transition from inflation to a slowly accelerated universe at late times appear naturally. This is also achieved for “Quintessential models,” which are scale invariant but formulated with the use of volume element Φ d 4 x alone. For closed strings and branes (including the supersymmetric cases), the modified measure formulation is possible and does not require the introduction of a particular scale (the string or brane tension) from the begining but rather these appear as integration constants. (shrink)

I should like to qualify my remarks at the outset by saying that I lay no claim to a philosophical, rigorously scientific solution of the problem of the interaction between science and art. And although this problem has concerned me as an artist, for me it is, I must admit, even a bit uncomforatable to address an audience of philosophers with my random observations and notions on this subject. However, the problems posed by the development of modern science and technology (...) today concern all human beings; artists are no exception. Moreover, it is specifically from artists that many people await an explanatory presentation of today's "magi and sorcerers," upon whose activity so much in life now depends. In accordance with our capacities we, artists of the film, also seek to find some view of our own on the processes and changes currently occurring in the world. It is precisely for this reason , that I have been so bold as to undertake to share a number of my impressions, with the hope that the editors and readers of the journal will forgive my lack of training in philosophy. (shrink)